Volume 52, No. 1

Edited by Christina Fuhrmann

Introduction
PAUL CORNEILSON

C. P. E. Bach’s Kenner und Liebhaber Collections: A Series for the Distant Future
DARRELL M. BERG

Recently Identified Borrowings in the Hamburg Vocal Music of C. P. E. Bach
JASON B. GRANT

The Evolution of C. P. E. Bach’s St. John Passions
PAUL CORNEILSON

“they can bring me much honor even after my death”: C. P. E. Bach as Compiler of His Estate Catalogue
PETER WOLLNY

Bach in Italy, 22–28 November 2020
CHIARA BERTOGLIO

Carl Philipp Emanuel Bach: The Complete Works
Review by CLIFF EISEN 82

Widor on Organ Performance Practice and Technique by John R. Near
Review by ANNETTE RICHARDS

Bach’s Musical Universe: The Composer and His Work by Christoph Wolff
Review by ZOLTÁN SZABÓ

Sir Henry Wood: Champion of J. S. Bach by Hannah French
Review by DAVID C. H. WRIGHT

Bach’s Famous Choir: The Saint Thomas School in Leipzig, 1212–1804 by Michael Maul
Review by JOYCE IRWIN

Corrigendum

Martha Goldsworthy Arnold Fellowship at the Riemenschneider Bach Institute

American Bach Society Frances Alford Brokaw Grant at the Riemenscheider Bach Institute

Archive