Volume 52, No. 1
Edited by Christina Fuhrmann
Special Issue: C. P. E. Bach’s Late Style
Introduction
PAUL CORNEILSON
C. P. E. Bach’s Kenner und Liebhaber Collections: A Series for the Distant Future
DARRELL M. BERG
Recently Identified Borrowings in the Hamburg Vocal Music of C. P. E. Bach
JASON B. GRANT
The Evolution of C. P. E. Bach’s St. John Passions
PAUL CORNEILSON
“they can bring me much honor even after my death”: C. P. E. Bach as Compiler of His Estate Catalogue
PETER WOLLNY
Conference Report
Bach in Italy, 22–28 November 2020
CHIARA BERTOGLIO
Reviews
Carl Philipp Emanuel Bach: The Complete Works
Review by CLIFF EISEN 82
Widor on Organ Performance Practice and Technique by John R. Near
Review by ANNETTE RICHARDS
Bach’s Musical Universe: The Composer and His Work by Christoph Wolff
Review by ZOLTÁN SZABÓ
Sir Henry Wood: Champion of J. S. Bach by Hannah French
Review by DAVID C. H. WRIGHT
Bach’s Famous Choir: The Saint Thomas School in Leipzig, 1212–1804 by Michael Maul
Review by JOYCE IRWIN
Contributors to this Volume
Corrigendum
Martha Goldsworthy Arnold Fellowship at the Riemenschneider Bach Institute
American Bach Society Frances Alford Brokaw Grant at the Riemenscheider Bach Institute