Volume 53, No. 1
Edited by Christina Fuhrmann
Some Observations on the Sources for Bach’s Violin Soli and Cello Suites
ANDREW TALLE
What Does the Author Mean? The Example of Clavier-Übung III
TOMASZ GÓRNY
Special Section: Riemenschneider Bach Institute Holdings
The Verschneider Piano at the Riemenschneider Bach Institute
LAURENCE LIBIN
Faculty-Student Collaborative: Selma Riemenschneider and the Baldwin Wallace Bach Heritage
Introduction
DANIELLE M. KUNTZ
The Marchesi Legacy: Selma Riemenschneider and Vocal Pedagogy
OLIVIA HELMAN
Selma Riemenschneider’s Performance Career
MADELINE MASCIA
Selma Riemenschneider and the Berea Women’s Committee
BEN WEBSTER
Selma Riemenschneider’s Lasting Impact
ANNA-SOPHIA BURR
Review
Fugue in the Sixteenth Century by Paul M. Walker
Review by DENIS COLLINS
Contributors to this Volume
Martha Goldsworthy Arnold Fellowship at the Riemenschneider Bach Institute
American Bach Society Frances Alford Brokaw Grant at the Riemenschneider Bach Institute