Current Issue

Volume 53, No. 1

Edited by Christina Fuhrmann

Some Observations on the Sources for Bach’s Violin Soli and Cello Suites
ANDREW TALLE

What Does the Author Mean? The Example of Clavier-Übung III
TOMASZ GÓRNY

Special Section: Riemenschneider Bach Institute Holdings

The Verschneider Piano at the Riemenschneider Bach Institute
LAURENCE LIBIN

Faculty-Student Collaborative: Selma Riemenschneider and the Baldwin Wallace Bach Heritage
Introduction
DANIELLE M. KUNTZ

The Marchesi Legacy: Selma Riemenschneider and Vocal Pedagogy
OLIVIA HELMAN

Selma Riemenschneider’s Performance Career
MADELINE MASCIA

Selma Riemenschneider and the Berea Women’s Committee
BEN WEBSTER

Selma Riemenschneider’s Lasting Impact
ANNA-SOPHIA BURR

Review

Fugue in the Sixteenth Century by Paul M. Walker
Review by DENIS COLLINS

Contributors to this Volume

Martha Goldsworthy Arnold Fellowship at the Riemenschneider Bach Institute

American Bach Society Frances Alford Brokaw Grant at the Riemenschneider Bach Institute