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Bach: Journal of the Riemenschneider Bach Institute header

Archive

Volume 50, No. 2

Co-edited by Christina Fuhrmann and Rebecca Fülöp

Bach on Screen

Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986)
OLGA HALDEY

J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985)
MICHAEL BAUMGARTNER

The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964)
MARK BRILL

Another Woody: J. S. Bach in Dixieland
PER F. BROMAN

"Good Hands": The Music of J. S. Bach in Television Commercials
PETER KUPFER

Reviews

Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman by Alexis Luko
Review by ELSIE WALKER

Leipzig after Bach: Church & Concert Life in a German City
by Jeffrey S. Sposato
Review by R. LARRY TODD

Listening to Bach: The Mass in B Minor and the Christmas
Oratorio by Daniel R. Melamed
Review by MARK A. PETERS