Riemenschneider Bach Institute

 

Supplemental Catalog 31

SUPPLEMENTAL CATALOG No. 31 of the 

EMILIE AND KARL RIEMENSCHNEIDER MEMORIAL BACH IBRARY

Issued by the

Riemenschneider Bach Institute

Melvin Unger, Director

Baldwin Wallace University

2006

 

RIEMENSCHNEIDER BACH INSTITUTE

 RIEMENSCHNEIDER COLLECTION

 COLLECTED WORKS

 

Bach, Johann Sebastian. Neue Ausgabe Sämtlicher Werke. Hrsg. Vom Johann-Sebastian-Bach-Institut,

                Göttingen und vom Bach-Archiv, Leipzig. Kassel: Bärenreiter, 1954—. 

                Ser. II. Messen, Passionen, oratorische Werke.

                                Bd. 1a. Frühfassungen zur H-Moll-Messe. Hrsg. von Uwe Wolf, 2005. (2 copies)

                                Bd. 1a. Frühfassungen zur H-Moll-Messe, BWV 232. Kritischer Bericht von Uwe Wolf,

                                                2005. (2 copies)

 

Berlioz, Hector. New Edition of the Complete Works. Issued by the Berlioz Centenary Committee, London

                in association with the Calouste Gulbenkian Foundation, Lisbon. Kassel: Bärenreiter, 1967—.

 

                Vol. 1d.Benvenuto Cellini. Edited by Hugh Macdonald, 2005.

                Vol. 15. Songs with Piano. Edited by Ian Rumbold, 2005.

                Vol. 21. Miscellaneous Works and Index. Edited by Hugh Macdonald, 2005.

                Vol. 22a. Arrangements of Works by Other Composers (I): Gluck. Edited by Jöel-Marie Fauquet.

                                Kassel: Bärenreiter,2005.

 

Brahms, Johannes. Neue Ausgabe Sämtlicher Werke. Hrsg. von der Johannes Brahms Gesamtausgabe

                e. V. Editionsleitung Kiel in Verbindung mit der Gesellschaft der Musikfreunde in Wien,

                München: G. Henle Verlag, 1996—.

 

                Ser. I. Orchesterwerke

                   Bd. 3. Symphonie Nr. 3, 2005.

                   Bd. 9. Violinkonzert, 2004.

                Ser. II. Kammermusik

                   Bd. 3. Streichquartette, 2004.

 

Bruckner, Anton. Samtliche Werke. Vorgelegt von Leopold Nowak. Wein: Musikwissenschaftlicher

                Verlag, 1974—.

 

                Bd. II/1. Symphonie C-Moll: Fassung  1872. Vorgelegt von William Carragan, 2005.

                Bd. XVIII. Messe F-Moll. Studienpartitur. Kritische Neuausgabe. Vorgelegt von Paul

                                Hawkshaw, 2005.

 

Byrd, William. The Byrd Edition. Gen. Ed., Philip Brett. London: Stainer & Bell, 1971—. This edition

                supersedes the series “The Collected Works,” ed. Edmund H. Fellowes, rev. under the direction

                of Thurston Dart (1962-1971).

 

                Vol. 13. Songs of Sundrie Natures (1589). Edited by David Mateer, 2004.

 

De Fesch, Willem, 1687-1761. Edition of the complete works of Willem de Fesch. Edited by Robert L.

                Tusler. Amsterdam, The Netherlands: Donemus, 2005.

 

                Vol. 1-Opus I A Six Duets for Two Violins

                Vol 2-Opus I B Six Duets for Two Violoncellos

                Vol. 3-Opus II Six Concertos

                Vol. 4-Opus III Six Concertos

                Vol. 5-Opus IV A Six Sonatas for Violin and Continuo

                Vol. 6-Opus IV B Six Sonatas for Two Violoncellos

                Vol. 7-Opus V Six Concertos

                Vol. 8-Opus VI Six Sonatas for Violin/Flute and Continuo

                Vol. 9-Opus VII Ten Trio Sonatas for Two Flutes/Violins and Continuo

                Vol. 10-Opus VIII A Six Sonatas for Violin and Continuo

                Vol. 11-Opus VIII B Six Sonatas for Two Violoncellos

                Vol. 12-Opus IX Six Sonatas for Two Flutes

                Vol. 13-Opus X Eight Concertos

                Vol. 14-Opus XI Thirty Duets for Two Flutes

                Vol. 15-Opus XII Twelve Sonatas for Two Flutes/Violins and Continuo

                Vol. 16-Opus XIII Six Sonatas for Violoncello Solo with Thorough Bass for the Harpsichord

                Vol. 17-Missa Paschalis

                Vol. 18-Lady Erskine Canzonettas for Soprano, Violin or Flute and Basso Continuo

                Vol. 19-Miss Ashe Canzonettas for Soprano, Violin or Flute, Mandoline and Basso Continuo

                Vol. 20-Matthew Prior Songs for Voice and Basso Continuo

                Vol. 21-The Tempest Songs or the Enchanted Island for Soprano, Small Ensemble and Basso

                                Continuo

                Vol. 22-Joseph Oratorio

                Vol. 23-Six English Songs for Soprano, Violins, Flutes and Basso Continuo

                Vol. 24-Six New English Songs for Soprano, Violin or Flute and Basso Continuo

                Vol. 25-Temple of Love for Voice, Two Obligato Instruments and Basso Continuo

                Vol. 26-Miscellaneous Songs for Soprano, Violin or Flute and Basso Continuo

                Vol. 27-Two Solo Cantatas: Apis Amata for Alto, Strings and Basso Continuo

                                                Alla Medisima (Ode IV) for Alto and Basso Continuo

                Vol. 28-Concerto in A Minor ä 4 Stromenti

                Vol. 29-Carillon

 

Gabrieli, Andrea. Edizione Nazionale Delle Opere di Andrea Gabrieli. Edizione Critica. Ricordi, 1993—.

               

                Vol. 7.  Ecclesiasticarum Cantionum Quatuor Vocum Omnibus Sanctorum Solemnitatibus

                                Deservientium. Venezia: Angelo Gardano 1576. A cura di David Bryant ed Elena

                                Quaranta, 2005.

 

Händel, Georg Friedrich. Hallische Händel-Ausgabe: Kritische Gesamtausgabe. Hrsg. von der Georg-

                Friedrich-Händel-Gesellschaft. Gen. Eds. Bernd Baselt, Walther Siegmund-Schultze. Kassel:

                Bärenreiter-Verlag, 1955—.

 

                Ser. II. Opern

                                Bd. 11. Il Floridante, Opera in Tre Atti (HWV 14). Hrsg. von Hans Dieter Clausen, 2005.

                                Bd. 20. Riccardo primo, Re d’Inghilterra, Opera in Tre Atti (HWV 23). Hrsg. Terence

                                                Best, 2005.

 

Haydn, Joseph. Joseph Haydn Werke. Edited by the Joseph Haydn-Institut Köln under the direction of

                Georg Feder. München, Germany: G. Henle Verlag, 1958—.

 

                Reihe I:Sinfonien

                                Bd. 15. Londoner Sinfonien, I. Folge (1791), 2005.

 

                Reihe XXXII: Volksliedbearbeitungen

                                Bd. 4. Volksliedbearbeitungen Nr. 269-364. Schottische und Walisische Lieder für

                                                George Thomson. Hrsg. von Marjorie Rycroft , 2004.

 

Keiser, Reinhard. Ausgewählte Werke:  Vokale Kammermusik-Instrumentalmusik-Opern. Hrsg. von

                Hansjorg Drauschke und Thomas Ihlenfeldt. Wilhelmshaven: Florian Noetzel Verlag, 2005—.

 

                Abt. I. Vokale Kammermusik

                                Bd. 1. Hercules auf dem Scheide=Wege: Concerto à 3 Voci con Stromenti;

                                                Entlaubte Wälder: Serenata à quarto Voci con Stromenti.  Vorgelegt von

                                                Hansjörg Drauschke und Thomas Ihlenfeldt, 2005.

 

Lully, Jean-Baptiste. Oeuvres Complètes. De J.-B. Lully. Editèes par l’Association Lully. Rèdacteurs en

                Chef: Jèrome de la Gorce et Herbert Schneider. Hildesheim: Georg Olms Verlag, 2001—.

 

                Serie II. Comèdies-ballets et autres divertissements

Vol. 4. Monsieur de Pourceaugnac: Édition de Jèrôrome de La Gorce;  Le Bourgeois

Gentilhomme. Édition de Herbert Schneider, 2006..

 

Luther, Martin. D. Martin Luthers Werke. Sonderedition der Kritischen Weimarer Ausgabe. Begleitheft

                zu den Schriften. Verlag Hermann Böhlaus Nachfolger Weimar, 2003—.

 

                Teil 3. Bd. 28-37, 2005. (14 volumes)

 

Monteverdi, Claudio [1567-1643]: Opera Omnia.  ed. The Biblioteca Statale e Civica di Cremona and

                by the Scuola di Paleografia e Filologia Musicale.  Italy, Cremona: Fondazione Claudio

                Monteverdi, 1970—.

 

                Vol. 9.  Missa da Capella a Sei.  Antonio Delfino, ed., 2005.   (2 vols.)

 

Purcell, Henry. The Works of Henry Purcell. Edited under the supervision of the Purcell Society.

                London: Novello, Ewer & Co., 1878—.

 

                Vol. 18, Part II.  Royal Welcome Songs. Edited by Bruce Wood, 2005.

 

Rameau, Jean-Philippe. Edition of the Complete Works of Jean-Philippe Rameau. Edited by the Société

                Jean-Philippe Rameau under the patronage of Le Ministére de la Culture et de la Communication

                Français Le Centre National de la Recherche Scientifique (CNRS) La Bibliothéque Nationale de

                France. Printed by Musica Gallica. Distributed by Bärenreiter, 2005.

 

                Series IV. Dramatic Music

                                No. 10. Platée, 2005

                                No. 10. Platée, 2005 (Réduction clavier-chant de François Saint-Yves)

                Series VI. Opera Omnia

                                No. 7/1. Principes Éditoriaux ou Petit Traité D’Édition Critique, 1997. 

 

Schönberg, Arnold. Sämtliche Werke. Hrsg. Von Josef Rufer, in zusammenarbeit mit Richard Hoffmann.

                [et. al.] unter dem Patronat der Akademie der Künste, Berlin. Mainz: B. Schott’s Söhne, 1966—.

 

                Abt. III. Bühnenwerke

Reihe B.

   Bd. 6.2. Bühnenwerke I.Hrsg. von Ullrich Scheideler, 2005.

   Bd. 6.3. Bühnenwerke I. Hrsg. Von Ullrich Scheideler, 2005.

                Abt. V. Chorwerke

                                Reihe B

                                   Bd. 16.2. Gurre-Lieder. Hrsg. Von Ulrich Krämer, 2005.

 

Telemann, Georg Philipp. Musikalische Werke. Hrsg. im Auftrag der Gesellschaft für Musikforschung.

                Kassel: Bärenreiter, 1950—.

 

                Bd. XLIII. Flavius Bertaridus, König der Longobarden, Oper in Drei Akten. Hrsg. von Brit

                                Reipsch, 2005.

               

 

 

 


RIEMENSCHNEIDER BACH INSTITUTE

 

RIEMENSCHNEIDER  COLLECTION

 

MONUMENTS

 

Corpus of Early Keyboard Music. Willi Apel and John Caldwell, gen. eds., 1984., n.p. American

                Institute of Musicology 1963—.

 

                Vol. 7. Bernardo Storace: Selva di Varie Compositioni D’Intavolaura per Cimbalo ed

                                Organo. Revised Edition. Edited by Barton Hudson, 2005.

                Vol. 37/3. Keyboard Music at Castell’ Arquato: Ricercari, Mass Movements, Motet,

Chanson, and Madrigal Arrangements. . Edited by H. Colin Slim, 2005.

 

Early English Church  Music. Gen. Ed. Frank Llewellyn Harrison. Published for the British Academy.

                London: Stainer and Bell, cop., 1963—.

 

                Vol. 46. Nicholas Ludford: Five- and Six-part Masses and Magnificat. Transcribed and

                                edited by David Skinner, 2005.

 

Musica Britannica: A National Collection of Music. Published for the Royal Musical Association.

                London: Stainer & Bell, 1951—.

 

                Vol. LXXXIII. John Ward: Consort Music of Four Parts. Transcribed and Edited by

                                Ian Payne, 2005.

 

Neapolitan Masters of the 18th Century. Edited by T.J. Martino. New York: Mannheim Editions, 2004.

 

                Vol. 1. Niccolo Jommelli: Isacco-An Oratorio (Sinfonia), 2004.

                Vol. 2. Niccolo Jommelli: Te Deum (1763) for SATB, 2 Horns & Strings, 2004.

                Vol. 3. Leonardo Leo: Missa in G for 5 Voices and Orchestra, 2004.

                Vol. 4. Leonardo Leo: Miserere for SATBSATB & Organ Continuo, 2004.

                Vol. 5. Giovanni Paisiello: Motet for Soprano Voice & Orchestra, 2004.

                Vol. 6. Giovanni Paisiello: Sinfonia Funebre, 2004.

                Vol. 7. Niccoló Porpora: Salve Regina, 2005.


REIMENSCHNEIDER BACH INSTITUTE

 

RIEMENSCHNEIDER COLLECTION

 

MUSIC LITERATURE, MUSIC THEORY

 

Bach, Johann Sebastian. Aria: Alles mit Gott und Nichts ohn’ ihn (BWV 1127). Facsimile. Einleitung

                von Michael Maul; Geleitwort von Christoph Wolff; English translation by J. Bradford

                Robinson. Kassel; New York: Bärenreiter, 2005. (includes sound disc)

 

Beach, David W.  Aspects of Unity in J.S. Bach’s Partitas and Suites: an Analytical Study. New York:

                University of Rochester Press, 2005.

 

Bolin, Norbert. Johannes Brahms: Ein deutsches Requiem, Vorträge. Europäisches Musikfest Stuttgart

                2003. Schriftenreihe der Internationalen Bachakademie, Band 13. Kassel: Bärenreiter, 2004.

 

Boston Early Music Festival & Exhibition Yearbook, June 13-19, 2005. Printed by the Boston

                Early Music Festival, Inc., 2005.

 

The Chicago Manual of Style, 15th edition. Chicago: The University of Chicago Press, 2003.

 

The Mellen Opera Reference Index. Compiled by Charles H. Parsons. 30 vols. New York: The Edwin

                Mellen Press, 2003.

 

Die Musik in den Zeitschriften des 18. Jahrhunderts: Eine Bibliographie. Mit Datenbank auf CD-ROM.

                Laurenz Lütteken (Hg.). Kassel/New York: Bärenreiter, 2004.

 

Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik begründet von Friedrich

                Blume. Zweite, neubearbeitete Ausgabe. Hrsg. Von Ludwig Finscher. Kassel: Bärenreiter, 1999—

 

_______                Personenteil, Vol. 13 (Pal-Rib), 2005.

_______                Personenteil, Vol. 14 (Ric-Schön), 2005.

 

Dürr, Alfred. The Cantatas of J.S. Bach. with their Librettos in German-English Parallel Text.

Revised and translated by Richard D. P. Jones. Oxford/New York: Oxford University Press, 2005.

 

Fabian, Dorottya. Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings

                and Literature. Burlington, VT: Ashgate Publishing, 2003.

 

Fubini, Enrico. Music and Culture in Eighteenth-Century Europe: A Source Book. Translation edited by

                Bonnie J. Blackburn. Chicago/London: University of Chicago Press, 1994.

 

Gaines, James R. Evening in the Palace of Reason. New York: Harper-Collins Publishers, 2005.

 

Harutunian, John Martin. Haydn’s and Mozart’s Sonata Styles: a Comparison. (Studies in the History and

Interpretation of Music; v. 113). Lampeter, Ceredigion, Wales, UK: The Edwin Mellen Press, 2005.

 

Haselböck, Lucia. Bach-Textlexikon: Ein Wörterbuch der Religiösen Sprachbilder im Vokalwerk von

                Johann Sebastian Bach. Kassel/New York: Bärenreiter, 2004.

 

Herzfeld, Gregor. Johann Philipp Kirnberger: Die Kunst des Reinen Satzes in der Musik. (Reprint

                Der Ausgabe Berlin 1771). Kassel: Bärenreiter, 2004.

 

Hill, George R. and Norris L. Stephens. Collected Editions Historical Series & Sets & Monuments of

                Music: A Bibliography.  Berkeley, CA: Fallen Leaf Press, 1997.

 

Hill, John Walter. Baroque Music: Music in Western Europe, 1580-1750. New York:

                Norton, 2004.

 

Johann Sebastian Bachs Instrumentarium:Originalquellen-Besetzung-Verwendung. Ulrich Prinz, ed.

                Kassel: Bärenreiter, 2005.

 

Keefe, Simon P., ed.  The Cambridge Companion to the Concerto.  New York: Cambridge University

                Press, 2005.

 

Melamed, Daniel R. Hearing Bach’s Passions. Oxford/New York: Oxford University Press, 2005.

 

Nohl, Paul-Gerhard. Geistliche Oratorientexte: Enstehung, Kommentar, Interpretation. Kassel,

                New York: Bärenreiter, 2001.

 

The Norton/Grove Handbooks in Music: Performance Practice, Music Before 1600. Howard Mayer

                Brown and Stanley Sadie, eds. New York: W.W. Norton, 1990.

 

Répertoire International des Sources Musicales.

_______                Series B, XV. Mehrstimmige Messen in Quellen Aus Spanien, Portugal und Lateinamerika.

                Cristina Urchueguía, ed. München: G. Henle Verlag, 2005.

 

Steinhaus, Hans. Wege zu Dom Bédos: Daten, Dokumente, Deutungsversuche. Köln: Dohr, 2001.

 

24 Flute Concert Studies from J.S. Bach’s Works and Famous Flute Solos. Cincinnati: A.J. Andraud, 19?

 

Wainwright, Jonathan and Peter Holman. From Renaissance to Baroque: Change in Instruments and

                Instrumental Music in the Seventeenth Century. Proceedings of the National Early Book Music

                Association Conference held, in association with the Department of Music, University of

                York and the York Early Music Festival, at the University College of Ripon and York, St. John,

                York, 2—4 July, 1999. Burlington, VT: Ashgate, 2004.

 

Walker, Paul Mark. Theories of Fugue From the Age of Josquin to the Age of Bach. Rochester, NY:

                University of Rochester, 2000.

 


RIEMENSCHNEIDER BACH INSTITUTE

 

RIEMENSCHNEIDER COLLECTION

 

MUSIC

 

Bach, Johann Sebastian. Alles mit Gott und nichts ohn’ ihn für Sopran, zwei Violinen, Viola und Continuo.

                BWV 1127, First Edition. Score.  Kassel:  Bärenreiter, 2005.

_______                [Arias, Soprano, German] Ausgewählte Arien für Sopran mit obligaten Instrumenten und Klavier oder Orgel. Vol. II. Wiesbaden: Breitkopf & Hartel, 1912/1940.

_______                [Inventions-Two-Part] 15 zweistimmige Inventionen von Johann Sebastian Bach für zwei

                                Flöten. Ubertragen von Wilhelm Schönicke. Leipzig/Berlin: Jul. Heinr.

                                Zimmermann, 1902.

 

_______                Das Wohltemperierte Klavier: Vol. I. Edited by Hans Bischoff. Translation by Alexander

                                Lipsky. New York: Edwin Kalmus Publisher, 1942.

 

Carl Philipp Emanuel Bach: Trio E-Dur für 2 Flöten (oder Flöte und Violine) und Klavier (oder

                Cembalo). Hrsg. Kurt Walther. Leipzig: Musik Verlag Wilhelm Zimmermann, 1935.

 

Fischer, Michael and Dominik Fugger. Angelus Silesius: Heilige Seelen-Lust. Reprint der fünfteiligen

                Ausgabe Breslau 1668. Kassel: Bärenreiter, 2004.

 

Johann Sebastian Bach: The Art of the Fugue and A Musical Offering. Edited by Alfred Dörffel and

                Wolfgang Graeser. New York: Dover Publications, 1992.

 


RIEMENSCHNEIDER BACH INSTITUTE

 

RIEMENSCHNEIDER COLLECTION

 

RECORDINGS, VIDEOS, CASSETTES, CDS, MICROFICHE

 

Bach, Johann Sebastian.

_______                A Bach Recital: Rosalyn Tureck. Decca Records.  

_______                Bach Brandenburg Concertos. (Complete) Karl Münchinger conductor. London Records.

_______                An Introduction to BACH: Rosalyn Tureck. Great Britain: E.M.I. Records Limited.

_______                Cantata No. 4 Christ Lag in Todesbanden; Cantata No. 111 Was Mein Gott Will, Das G’Scheh’

                All zeit. Turnabout, A Vox Production.

_______                Cantata No. 10 Meine Seel’ erhebt Herren; Cantata No. 47 Wer sich selbst erhöhet, der soll

                Erniedriget sein. The London Bach Society and the English Chamber Orchestra. Paul

                Steinitz, conductor. New York: Lyrichord Discs.

_______                Cantata No. 13 Meine Seufzer, meine Tränen; Cantata No. 166 Wo gehet du hin. New York:

                Vanguard Recording Society, 1967.

_______                Cantata No. 21 Ich hatte viel Bekummernis. Recorded in Europe.

_______                Cantata No. 31 Der Himmel lacht, die Erde jubilieret; Cantata No. 50 Nun ist das Heil und die Kraft. Buxtehude O Gottes Stadt Cantata  for Soprano & Continuo. Montreal: Baroque Records Co., 1965.

_______                Cantata No. 35 Geist und Seele wird verwirret; Cantata No. 42 Am Abend aber desselbigen Sabbats.  New York: Westminster Recording Co., 1964.

_______                Cantata No. 46 Schauet doch und sheet; Cantata No. 65 Sie warden aus Saba alle kommen.

                New York: Vanguard Recording Society, 1966.

_______                Cantata No. 51 Jauchzet Gott in allen Landen; Suite No. 1 in C for Orchestra. Decca Records.

_______                Cantata No. 53 Schlage doch gewünschte Stunde; Cantata No. 54 Widerstehe doch der Sünde;

                Cantata No. 169 Gott soll allein mein Herze haben. New York: Vanguard Recording Society,

                1965.

_______                Cantata No. 57 Selig ist der Mann; Cantata No. 32 Liebster Jesu, mein Verlangen. New York:

                Lyrichord Discs.

_______                Cantata No. 70 Wachet, betet, seid bereit; Cantata No. 95 Christus, der ist mein Leben. Baroque

                Records of Canada, 1963.

_______                Cantata No. 76 Die Himmel Erzählen die Ehre Gottes; Cantata No. 84 Ich Bin Vergnügt mit Meinem Glücke; Cantata No. 198 Trauer-ode;   Cantata No. 210 Wedding Cantata. New York:

                Westminster Recording. (3 record set)

_______                Cantata No. 100 Was Gott Tut, Das Ist Wohlgetan (III); Cantata No. 175 Er Rufet Seinen

                Schafen Mit Namen. New York: Vanguard Recording Society, 1967.

_______                Cantata No. 112 Der Herr Ist Mein Getreuer Hirt; Cantata No. 185 Barmherziges Herze Der Ewigen Liebe.. Los Angeles: Everest Records, 1968.

_______                Cantata No. 117 Sei Lob Und Her Dem Hochsten Gut; Cantata No. 93 Wer Nur Den Lieben Gott Lasst Walten. New York: Vanguard Recording Society, 1967.

_______                Cantata No. 130 Herr Gott, dich loben alle wir;  Cantata 67 Halt, im Gedächinis Jesum Christ;

                Excerpts from Cantata No. 101 Nimm von uns, Herr, du treuer Gott.  Elly Ameling, soprano. London: Decca Records, 1969.

_______                Cantata No. 161 Komm, du süsse Todesstunde; Cantata No. 169 Gott soll allein mein Herze haben. Made in Hungary.

_______                The Works of Johann Sebastian Bach: Series A: Cantatas Geschwinde, geschwinde, ihr wirbeinden Winde, BWV 201. Made in Germany by Archive Production.

_______                Aeolus Appeased Cantata No. 205. Baroque, Everest Records, 1968.

_______                Cantata No. 207a “Auf, Schmetternde Tome der Muntern Trompeten; Cantata No. 214 Tonet,

                Ihr Pauken! Erschallet, Trompeten!”. New York: Vanguard Recording Society, 1967.

_______                Cantata No. 204 Ich Bin in Mir Vergnugt”; Cantata No. 209 “Non sa Che Sia Dolore”.

                Turnabout, 1968.

_______                Chorales and preludes. Organ music, Vol VI. Walter Kraft, organ. Vox Productions. ( 3 records)

_______                Hunting Cantata, BWV 208 Was Mir Behagt, ist Nur Die Muntre Jagd. New York: Nonesuch

                Records.

_______                Magnificat in D. International Recorded Music Society, 1950.

_______                Rampal Plays Bach: Complete Works for Solo Flute. Jean-Pierre Rampal, flute. New York:

                RCA Records, 1975.

_______                St. Matthew Passion, BWV 244. ABC Records, 1968.

J.S. Bach Keyboard Music: Vol. II. Martin Galling, harpsichord. New York: Vox Productions. (3 records)

_______                Well-Tempered Clavier, Vol. IV. Martin Galling, harpsichord. ew York: Vox Productions.

 (3 records)

 

Haydn, Joseph. The 12 London Symphonies. Nonesuch Records  (6 record set)

 


RIEMENSCHNEIDER BACH INSTITUTE

 

RIEMENSCHNEIDER COLLECTION

 

NON-MUSIC

 

Kahn, Miriam B. Disaster Response and Planning for Libraries. 2nd edition. Chicago: American

                Library Association, 2003.

 

Thenell, Jan.  The Library’s Crisis Communications Planner: A PR Guide for Handling Every

                Emergency. Chicago: American Library Association, 2004.

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