Riemenschneider Bach Institute

 

Reel 14

Descriptive Inventory

A 15: 100
Wer sich rühmet der rühme sich des Herren
Sexagesimae, 1729
1. tutti - CATB, 2 vn, va, bc [3/4, F]
2. recit. - C A T, bc
3. duet - CT, vn, bc [2/4, d]
4. recit. - B C, bc
5. aria - B, 2 vn, va, bc [¢, B*]
6. Chorale - tutti [C, F]
sc + pts: C, A, org tr [D], ob 1, ob 2, vn 1, vn 2, va, vc, vlo, org, T, B, vn 1, 

A 15: 101
Bewahre deinen Fu , wenn du
Sexagesimae, no. 2
1. tutti - CATB, 2 vn, va, bc [C 3/8, g]
2. recit. - C B T A, bc
3. duet - AT, 2 vn, va, bc [2/4, d]
4. recit. - B T A C, bc
5. 'Aria' - C, 2 vn, bc [2/4, G]
6. recit. acc. - B T CATB, org
7. Chorale - tutti [C, g]
sc + pts: C, org tr [e], ob 1, ob 2, vn 1, vn 2, va, vc, vlo, orgvn 1, A, T, B 


A 15: 102
Sexagesimae, 1736
1. tutti - CATB, 2 vn, va, bc [C, e]
2. recit - S A T, bc
3. aria - T, vn unis., ob unis., bc [2/4, C]
4. recit. recit. acc. - C T C, bc A, 2 vn, va, bc
5. aria - A, 2 'oboi e Violini', va, bsn [obl], bc [3/8, a]
6. Chorale - tutti [C, e]
sc + pts: A, T, B, vn 2, va, vc, ob 1, ob 2, C, vn 1, vn 2, vn 1, 'Violoncello', org tr [c*], org — a note at the end of the score and transposed organ part has, 'NB. zu diesem Stücke mu auf dem Modo Phrygio praeludirt ...'

A 15: 103
Wir rühmen uns die Trübsalen
Sexagesimae, 1737
sc + pts: A,T,vn 1, vn 2, va, vc(2x), ob 1, ob 2, C,B, vn 1, vn 2, organo, Bassono solo [aria only]

A 15: 104
Nun aber bleibt glaubt, Hoffnung
sc + pts: C,A,T,B, vn 1, vn 2, va, vc, vlo, org, org tr, ob 1, ob 2, vn 1

A 15: 105
Sehet wir geben hinauf gen Jerusalem
sc + pts: C,A,T,B, ob 1, ob 2, vn 1, vn 2, va, vc, vlo, org, org tr, vn 1

A 15: 106
Mein Freund is mir ein Püschel myrrhen
sc + pts: A,T,B, vn 1, vn 2, va, vc, vlo, org, org tr, trav 1, trav 2, C, vn 1, vn 2

A 15: 107
Über alles zieht an die Liebe
sc + pts: C,A,T,B, vn 1, vn 2, va, vc (inc), vc, org tr, vn 1 [conc], org, ob 1, ob 2, ob 1 (aria only)

A 15: 108
Mein Kind wilstu Gottes Diener Rödiger?
sc + pts: C, A, T, ob 2, vn 1, vn 2, va, vc, vlo, org, org tr, ob 1, B, vn 1, vn 2; org has some 2-part writing in opening chorus which double vocal entrances

A 15: 109
Dein Wort ist meines Fu es Rödiger?
sc + pts: C,A,T, vn 1, vn 2, va, vc, vlo, org, org tr, ob 1, ob 2, B, vn 1, vn 2, [high continuo parts, short sections where the bass drops out and the org doubles the viola]

A 15: 110
Wir haben nicht einen hoher Priester der nicht könnte mittleiden haben mitleiden haben mit unserer Schwachheit
autograph/Rödiger
sc + pts: A,T,B, vn 1, vn 2, va, vc, vlo, ob 1, ob 2, C, vn 1, org, org tr, vn 2

A 15: 111
Ich bin vor vielen wie ein Wunder
autograph
1. Tutti [a]
2. A recit
3. aria [C]
4. T recit
5. Aria [d]
6. Choral [a]
sc + pts: C, A, T, B, vn 1, vn 2, vc, vc, vn 1, vn 2, org tr [f*], org, ob 1, ob 2 [The first violin in the accomp. to recitative no. 2 has two additional lines with notes of the vocal line above it; ditto Recit. no. 4.]

A 15: 112
Seelig sind die reiner Hertzens sind
Rödiger
1. Tutti [2/4; 3/8, B*]
2. C recit 
3. TB duet [2/4, B*] 
4. B recit
5. A aria [3/4, g]
6. Choral [C, B*]
sc + pts: C,A,T,B, vn 1 (2x), vn 2, va, vc, vlo, org, org tr [G], ob 1, ob 2; high continuo passages in org

A 15: 113
Ich lasse dich nicht du seegnest
1. Tutti [3/8, g]
2. C recit CATB recit.
3. C aria [C, g]
4. T recit. 
5. AT duet [3/8, B*] 
6. C recit. acc. B recit. acc. CATB recit. acc.
7. Chorale [C, g] (sc: only canto line is indicated, the other staves are blank) Rödiger (copiest?)
sc + pts: C, A, T, B, vn 1 (2x), vn 2, va, vc, vlo, org, org tr [e], ob 1, ob 2
A 15: 114
La mich gehen denn die Morgenröhte bricht an
1. duet - TB, 2 ob et vn, bc [C, B*]
2. recit - C A T, bc
3. aria - C, ob solo, vn, solo, bc [2/4, F]
4. recit 'arioso' - A T, bc
5. Duetto - TB, ob unis, vn unis, bc [3/8, B*]
6. Chorale - tutti [C, B*]
autograph
sc + pts: A,T,B, vn 1, vn 2, va, vlo (2x), org tr [G], ob 1, ob 2, C, vn 1, org, vn 2

A 15: 115
Seelig sind die reines Hertzens sind 
Reminiscere 1737
1. tutti T recit. acc. tutti B. recit tutti C recit. - CATB, 2 vn, va, bc [C, B* F]
2. aria - C, 2 vn, va, bc [2/4, B*]
3. recit - A, bc
4. aria - A, 2 vn, bc [2/4, F]
5. chorale - tutti
autograph
sc
pts: A, T, B, vn 1, vn 2 (2x) ,va [has pasted on stave], vc (2x), org tr [G], C, org ['violoncello' written on top of 'Organo' [fig.], vn 1[vocal cues for recit. acc. written in], vn 1 [opening tutti only, has vocal cues], vn 2, ob 1, ob 2

A 15: 116
Was hat das Licht für Gemeinschaft 
Occuli 1729, no. 1 Rödiger (copiest?)
1. tutti - CATB, 2 vn, va, bc [2/4, a]
2. recit - C, bc
3. aria - B, vn, bc [2/4, a]
4. recit - C T A, bc
5. Duetto - SA, 2 vn, va, bc [6/8, e]
6. chorale - tutti [C, a]
sc + pts: C, A, T, ob 1, ob 2, vn 1, vn 2, va, vc, org tr [f*], org, B, vn 1, vn 2, vlo

A 15: 117
Danckest du also dem Herrn 
Oculi, 1729, no. 2
1. tutti - CATB, 2 vn, va, bc [3/8 C, D]
2. recit - C T B, bc
3. duet - TB, vn unis., bc [6/8, G]
4. recit - A C, bc
5. aria - C, 2 vn, va, bc [3/8, B]
6. recit acc. - B CATB, 2 vn, va, bc
7. chorale - tutti [3/2, B]
Rödiger (copiest?)
sc + pts: C, A, T, org tr [B, final aria and chorale exist in G* and A* versions], ob 1, ob 2, vn 1, vn 2, va, vc, org, B, vn 1, vn 2, vlo

A 15: 118
Dazu ist erschienen der Sohn Gottes 
Oculi, 1736, no. 2
1. tutti - CATB, '2 Clarini o 2 Corni da Caccia', 2 vn, va, bc [C, D]
2. aria - A, trav unis, clno unis., bc [12/8, D]
3. recit. - C T B, bc
4. aria - B, 'Clarino o Corno Solo', 'Violini unissoni ed oboi', bc [3/4, D]
5. recit. recit. acc. chorale - A, bc C, 2 vn, va, bc tutti [3/2, D]
autograph
sc + pts: Cornu 1, Cornu 2, trav, ob 1, ob 2, vn 1 (2x), vn 2, va, C, A, T, B, vc, vlo, org, org tr [B]

A 15: 119
Ihr seyd nun Gottes Nachfolger autograph
Oculi, 1737, no. 1
1. tutti - CATB, 2 vn, va, bc [C 3/4, C]
2. aria - T, 2 vn, bc [6/8, a]
3. recit. - T A, bc
4. aria - A, 2 vn, bc [2/4, C]
5. recit. recit. acc. - B C, bc T A, 2 vn, va, bc
6. chorale - tutti [C, C]
sc + pts: A, T, B, vn 1, vn 2, va, vc (2x), org tr [A], ob 1, C, vn 1, org, vn 2, ob 2


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