Riemenschneider Memorial Collection
Music
Adam de la Halle. Oeuvres complPtes du trouvPre Adam de la Halle, poesies et musique. Publiées sous les auspices de la Societé des sciences, des lettres, et des arts de Lille, par E. de Coussemaker, Paris, 1872. Farnborough, Eng., Gregg Press, 1966. lxxxiv p., 440 p., 1 plate. 25 cm.
Bach, Johann Sebastian. Neue Ausgabe Sämtlicher Werke...Kritischer Bericht. Kassel, Bärenreiter, 1955. illus. (music) 24.5 x 17 cm.
Library has added:
Ser. I Bd. 40. Neumann, Werner ed. Hochzeitskantaten: Verschiedner Bestimmung.
Ser. II Bd. 4. Mendel, Arthur, ed. Johannes Passion.
Ser. II Bd. 5. Dürr, Alfred, ed. Matthäus-Passion.
Ser. IV Bd. 4. Tessmer, Manfred, ed. Dritter Teil der Klavierübung.
Ser. VII Bd. 7 (Supp.) Fischer, Wilfried, ed. Verschollene Solokonzerte in Rekonstrucktionen.
___ Chaconne in D minor from the Sonata for Violin solo No. 4, transcribed for the piano by Ferruccio B. Busoni. New York, G. Schirmer, Inc.
19 pp. 30 x 23 cm. P.N. 39413.
___ Gavotte G minor from the English Suites, for piano. Edited and fingered by Hans von Bulow. New York, G. Schirmer, Inc. 5 pp. 30 x 23 cm. P.N. 3462b.
___ Konzert A dur für Cembalo (Klavier) und Streichorchester. Hrsg. von Kurt Soldan. Ausgabe für zwei Klaviere mit Fingersatz von Hans Beltz. Edition Peters Nr. 4467. Leipzig, C.F. Peters Corp. 23 pp. 30 x 23 cm. P.N. 11388.
___ Organ Fugue in G minor (The Little) adapted for Piano and edited by Olga Samaroff. Philadelphia, Pa., Elkan-Vogel Co., Inc., 1931. 7 pp. 30 x 23 cm. P.N. Organ Fugue 6.
___ Two-Part Inventions for the Piano. Edited and fingered by Dr. Wm. Mason. Schirmer Library Vol. 379. New York, G. Schirmer, Inc., 1894. 33 pp. 30 x 23 cm. P.N. 13075.
Bach, Johann Sebastian. Three-Part Inventions for the Piano. Edited and fingered by Dr. William Mason. Schirmer Library Vol. 380. New York, G. Schirmer, Inc., 1894. 33 pp. 30 x 23 cm. P.N. 13076.
Bannister, Henry Marriott. Anglo-French Sequelae. Edited from the papers of the late Dr. Henry Marriott Bannister by Anselm Hughes. Nashdom Abbey, Plainsong & Medieval Music Society, 1934. Farnborough, Eng., Gregg Press, 1966. 142 p. music 23 cm.
Beethoven, Ludwig van. Concerto No. III, Op. 37 for the Piano. Fingering and arrangement for piano of the orchestral accompaniment by Frans Kullak. Introduction and notes by Dr. Theodore Baker. New York, G. Schirmer, Inc., 1901, (1929). 60 pp. 30 x 23 cm. P.N. 15357.
Brahms, Johannes. Variations on a Theme by Paganini for piano. Op. 35, Book II. Edited by Edwin Hughes. New York, G. Schirmer, Inc., 1924. 21 pp. 30 x 23 cm. P.N. 30648.
Burgess, Francis. The English Gradual. Part I, The Plainchant of the Ordinary. Edited by Francis Burgess, Musical Director of the Gregorian Assoc. Hyde Park Gate, London; New York, H.W. Gray Co., Inc., 1955. 144 pp.
_____The English Gradual. Part II. The Proper for the Liturgical Year. Edited by Francis Burgess, Musical Director of the Gregorian Association. 50 Woodville Road, London, N.W. II, The Plainchant Publications Comm. 224 pp.
Chopin, Frederic. Album. A Collection of 33 Favorite Compositions for the Piano. New York, G. Schirmer, Inc., 1894, 1915, 1922, 1943. 210 pp. 30 x 23 cm. P.N. 41284r.
___ Complete Works for the Piano, Book VII. Scherzi and Fantasy. Newly edited, revised and fingered by Rafael Joseffy, with a prefatory note by James Huneker. New York, G. Schirmer, Inc., 1915. 113 pp. 30 x 23 cm. P.N. 25489.
___ Etudes for the Piano. Revised and fingered by Arthur Friedheim, with a general prefatory note by James Huneker and introductory remarks by Arthur Friedheim. New York, G. Schirmer, Inc., 1916 (1944). 121 pp. 30 x 23 cm. P.N. 25647.
Chopin, Frederic. Nocturnes for the Piano, revised and fingered by Hermann Scholtz. Leipzig, C.F. Peters Corp. (96 pp.) 30 x 23 cm. P.N. 9025.
___ Preludes for the Piano. Edited, revised and fingered by Rafael Joseffy. Historical and analytical comments by James Huneker. New York, G. Schirmer, Inc., 1915. (53 pp.) 30 x 23 cm. P.N. 25454.
___ Tarantelle for Piano. Revised and fingered by Rafael Joseffy. New York, G. Schirmer, Inc., 1916. (13 pp.) 30 x 23 cm, P.N. 27417.
___ Waltzes for the Piano. Edited, revised and fingered by Rafael Joseffy. Historical and analytical comments by James Huneker. New York, G. Schirmer, Inc., 1915. (80 pp.) 30 x 23 cm, P.N. 25502.
Couperin, Louis. Chaconne, for organ. Transcribed by Joseph Bonnet. From Early French Anthology. New York, H.W. Gray Co., 1942. (4 pp.) 30 x 23 cm. P.N. St. Cec. No. 741(4).
Debussy, Claude. Jardins sous la Pluie pour le piano. Paris, A. Durand & Fils., 1903. (11 pp.) 30 x 25 cm. P.N. D&F 6326(3).
___ La Soiree dans Grenade pour le Piano. Paris, Durand & Cie., 1903. (7 pp.) 34 x 26 1/2 cm. P.N. D&F 6326(2).
Gigout, Eugene. Grand Choeur Dialogue, for Organ, revised & edited by E. Flaxington Harker. New York, G. Schirmer, Inc., 1908. (9 pp.) 30 x 23 cm. P.N. 21170.
Mozart, Wolfgang Amadeus. Sonate und Fuge K.V. 448, 426, für 2 Klavier zu 4 Händen, revidierte Ausgabe von Adolf Ruthardt, Leipzig, C.F. Peters. Edition No. 1327. (39 pp.) 30 x 23 cm. P.N. 7388.
Obrecht, Jacob. Werken, van Jacob Obrecht uitgegeven door Prof. Dr. Johannes Wolf. Vereeniging voor Noord-Nederlands Muziekgeschiedenis. Farnborough, Eng., Gregg Int'l Publishers, 1968. Republished from Breitkopf & Härtel ed., 1908-1921 (7 vols.)
Paganini, Niccolo. Six Grand Etudes arranged for the Piano by Franz Liszt. Revised & fingered by Paolo Gallico. New York, G. Schirmer, Inc., 1906. (53 pp.) 30 x 23 cm. P.N. 17491.
Raugel, Felix. Les Maîtres Français de L'Orgue aux XVIIe et XVIIe SiPcles. 100 piPces pour orgue ou harmonium, choisies et registrées par Félix Raugel. Preface de Ch.-M. Widor. Vol. II. (100 pp.) 27 x 18 cm. P.N. S.559.2eV.c.
Reger, Max. Choral Vorspiele für Orgel, Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen Op. 67, Heft 2. Berlin, Bote & Bock, 1903. (32 pp.) 30 x 23 cm. P.N. 16894.
___ Choral Vorspiele für Orgel. Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen. op. 67, Bk. 3, Berlin, Bote & Bock, 1903. (34 pp.) 30 x 23 cm. P.N. 16895,
___ Orgelstücke (Organ Pieces) for organ. Op. 80, Bk. 1. Edition Peters No. 3064a. New York, C. F. Peters Corp., 1904 (1932). (30 pp.) 22 x 30 cm. P.N. 8956.
___ Orgelstücke (Organ Pieces) for organ. Op. 80, Bk. II. Edition Peters No. 3064b. New York, C.F. Peters Corp., 1904 (1932). (28 pp.) 22 x 30 cm. P.N. 9014.
___ Thirty (30) Short Chorale Preludes for Organ, Op. 135a. Edition Peters No. 3980. New York, C.F. Peters Corp., 1915 (1943) (1949). (27 pp.) 22 x 30 cm. P.N. 13666.
___ Sechs Orgelstücke. No. 3. Weihnachten. E.B. 4159 for Organ. Leipzig, Breitkopf & Härtel, 1915. (7 pp.) 32 x 24 cm. P.N. 30984.
Schein, Johann Hermann. Johann Hermann Scheins Sämtliche Werke. Hrsg. von Arthur Prüfer. Farnborough, Eng., Gregg Int'l. Publishers Lmtd., 1971. 4 vols. facsims. front. ports. Republished from Breitkopf & Härtel ed. of 1901-1923.
Schumann, Robert. Complete Works for Piano Solo in Six Volumes, Vol. II. Edited by Clara Schumann. Scarsdale, N.Y., Edwin F. Kalmus. (146 pp.) 30 x 23 cm. P.N. 1.
___ Fachingsschwank aus Wien (Vienna Carnival Scene), Fantasy-Pictures, for piano. Op. 26. New York, G. Schirmer, Inc., 1897. (31 pp.) 30 x 23 cm. P.N. 13371.
___ Konzert für Klavier und Orchester, Op. 54. mit Begleitung eines Zweiten Klaviers neu herausgeben von Emil von Sauer. Leipzig, C.F. Peters Corp. (67 pp.) 30 x 23 cm. P.N. 10666.
Schumann, Robert. Variations on the Name "Abegg," Op. 1 and Papillons, Op. 2. for the Pianoforte. Critically Revised and Fingered by Max Vogrich. New York, G. Schirmer, Inc., 1914. (32 pp.) 30 x 23 cm. P.N. 24799, 24635.
___Waldscenen (Forest Scenes) Op. 82 for the piano. Edited by Harold Bauer. Schirmer Library No. 1690. New York, G. Schirmer, Inc., 1945. (31 pp.) 30 x 23 cm. P.N. 40940.
Schütz, Heinrich. Neue Ausgabe sämtlicher Werke, hrsg. im Auftrag der Neuen Schütz-Gesellschaft, Band 2, Die Sieben Worte Jesu Christi Am Kreuz, Die Lukas-Passion, Die Johannes-Passion, Die Matthäus-Passion. Kassel und Basel, Bärenreiter-Verlag, 1957. (144 pp.) 27 x 19 cm.
Stanley, John. Suite for Organ. Transcribed and arranged by Henry Coleman. London, Oxford University Press, 1945. (19 pp.) 31 x 23 1/2 cm.
Sweelinck, Jan Pieterszoon. Werken van Jan Pieterszoon Sweelinck. Uitgegeven door de Vereeniging voor Nederlandsche Muziekgeschiedenis. Amsterdam, G. Alsbach & Co., 1943. Library has: (V. 1) Deel 1: Werken voor orgel en clavecimbel. Tweed herziene en annzienlijk vermeerderde druk, naar de bronnen herzien en opnieuw ingeleid door Max Seiffert.
Victoria, Tomas Luis de. Thomas Ludovici Victoria Abulensis Opera omnia, ex antiquissimus iisdemque rarissimus, hactenus cognitis editionibus in unum collecta, atque adnotationibus, tum bibliographicis, tum interpretatoriis ornata a Philippo Pedrell. Ridgewood, N.J., Gregg Press, 1965, 1966. 4 vols. Reprint of Breitkopf & Härtel ed., 1902-13.
Apel, Willi. The Notation of Polyphonic Music (900-1600), Fourth Edition, revised and with commentary. Cambridge, Mass. The Medieval Academy of America, 1953. (XXV, 462 pp.) 26 cm.
Arnold, F.T. The Art of Accompaniment from a Thorough-Bass, as practised in the XVII & XVIII Centuries, with a new Introduction by Denis Stevens, in 2 volumes. New York, Dover Publications, Inc., 1965. 23 1/2 cm. (918 pp.)
Bank, J.A. Tactus, tempo and notation in mensural music from the 13th to the 17th century. Amsterdam, Annie Bank, Anna Vondelstraat 13, 1972. (260, xi p.) facsim. music 24 x 33 cm.
Berlioz, Hector. Treatise on Instrumentation, enlarged and revised by Richard Strauss. Translated by Theodore Front. New York, Edwin F. Kalmus, 1948. (iii, 424 pp.) 30 x 22 cm.
Bukofzer, Manfred F. Studies in Medieval & Renaissance Music. New York, W.W. Norton & Co., Inc., 1950. (324 pp.) 19 1/2 cm.
Burgess, Francis. The Rudiments of Plainchant. Handbook of Church Music. Published in London by the Proprietors of "Musical Opinion." 6th printing. 1948. New York, H.W. Gray Co., Inc. (44 pp.) 18 1/2 cm.
Burney, Charles. A General History of Music. From the Earliest Ages to the Present Period (1789) Vol. I. With critical and historical Notes, by Frank Mercer. New York, Dover Publications Inc., 1957. (817 pp.) 21 cm.
___ A General History of Music. From the Earliest Ages to the Present Period (1789). Vol. II. With critical and historical notes by Frank Mercer. New York, Dover Publications, Inc., 1957. (1098 pp.) 21 cm.
Dorian, Frederick. The History of Music in Performance. The Art of Musical Interpretation from the Renaissance to our Day. New York, W.W. Norton & Co., 1942. (385 pp.) 19 1/2 cm.
Einstein, Alfred. Mozart, His Character & His Work. Translated by Arthur Mendel and Nathan Broder. New York, Oxford University Press, 1945. (492 pp.) 24 x 15 cm.
Emery, Walter. Editions and Musicians; a Survey Of the Duties of Practical Musicians & Editors towards the Classics. London, Novello & Co., 1957. (54 pp.) 22 cm.
A Grammar of Plainsong by a Benedictine of Stanbrook. Third Edt. Rushworth & Dreaper, Official Depot for the Society of St. Gregory, 11-17 Islington, Liverpool, England, 1934. (106 pp.) 20 cm.
Grout, Donald Jay. A Short History of Opera. One-Volume Edition. New York, Columbia University Press, 1947. (711 pp.) 24 x 16 cm.
Harman, Carter. A Popular History of Music. New York, Dell Publishing Co., 1956. (332 pp.) 16 cm.
Harrison, Sidney. Music for the Multitude. London, Michael Joseph, 1939, 1947, 1948. (336 pp.) 20 cm.
Hawkins, Sir John. A General History of the Science and Practice of Music, with a New Introduction by Charles Cudworth. Vol. I. New York, Dover Publications, 1963. (x1ii, 486 pp.) 28 cm.
___ A General History of the Science and Practice of Music, with a New Introduction by Charles Cudworth. Vol. II. New York, Dover Publications, 1963. (963 pp.) 28 cm.
Haydon, Glen. Introduction to Musicology, A Survey of the Fields, Systematic & Historical, of Musical Knowledge & Research. New York, Prentice-Hall, Inc., 1941. (x, 329 pp.) 23 x 15 cm.
Helm, Ernest Eugene. Music at the Court of Frederick the Great. Norman, Okla., University of Oklahoma Press, 1960. (249 pp.) 22 cm.
Keller, Hermann. Die Orgelwerke Bachs. Ein Beitrag zu ihrer Geschichteform, Deutung und Wiedergabe. Leipzig, C.F. Peters, 1948. (216 pp.) 26 x 19 cm.
Kennan, Kent Wheeler. The Technique of Orchestration. Prentice-Hall Music Series. Englewood Cliffs, N.J., Prentice-Hall, Inc., 1952. (301 pp.) 23 x 15 cm.
Kroyer, Theodor. Die Anfänge der Chromatik im Italienischen Madrigal des XVI. Jahrhunderts; ein Beitrage zur Geschichte des Madrigals. Leipzig, Breitkopf & Härtel, 1902. Farnborough, Eng., Gregg Int'l Publishers, 1968. (160 pp.) 24 cm. (Publikationen der Internationalen Musikgesellschaft. Beihefte. Heft 4.)
Landowska, Wanda. Music of the Past. Translated from the French by William Aspenwall Bradley. New York, Alfred A. Knopf, 1924. (185 pp.) 21 x 14 cm.
Lang, Paul Henry. Stravinsky, A New Appraisal of His Work, with a complete list of works. New York, W.W. Norton & Co., 1963. (121 pp.) 20 x 13 cm.
Levarie, Sigmund & Ernst Levy. Tone: A Study in Musical Acoustics. Investigating tone in terms of musical values. Oberlin Printing Co., First Edition, 1968. (xi, 248 pp.) 23 x 15 cm.
Morley, Thomas. A Plain and Easy Introduction to Practical Music. Edited by R. Alec Harman, with a foreword by Thurston Dart. New York, W.W. Norton & Co. (xxix, 325 pp.) 25 x 16 cm.
Nettl, Paul. Forgotten Musicians. New York, Philosophical Library, 1951. (352 pp.) 22 1/2 cm.
Neupert, Hanns. Harpsichord Manual. A Historical and Technical Discussion. English Translation by F.E. Kirby. Kassel, Bärenreiter-Verlag., 1960. (101 pp.) 21 x 15 cm.
Peyser, Joan. The New Music, the Sense Behind the Sound, with an introduction by Jacques Barzun. The story of 20th century music. A PB Delta Book, New York, Dell Pub. Co., 1971. (xiii, 196 pp.) 20 x 15 cm.
Piston, Walter. Harmony. Third Edition. New York, W.W. Norton & Co. Inc., 1941, 1948, 1962. (x, 374 pp.) 24 x 16 cm.
___ Orchestration. New York , W.W. Norton & Company, Inc. 1955., (ix, 477 pp.) 24 x 16 cm.
Porter, Quincey. A Study of Sixteenth Century Counterpoint, based on the works of Orlando Di Lasso. Boston, Mass., Loomis & Co., 1940, 1942, & 1948. (40 pp.) 26 x 20 cm.
Rimsky-Korsakov, Nicholas. Principles of Orchestration with Musical Examples Drawn from His Own Works. Edited by Maximilian Steinberg. English Translation by Edward Agate. New York, Edwin F. Kalmus. (xii, 333 pp.) 25 x 16 cm.
Sachs, Curt. The Commonwealth of Art. Style in the Fine Arts, Musicand the Dance. New York, W.W. Norton & Co., 1946. (xi, 404 pp.) 24 x 16 cm.
___ Our Musical Heritage. A Short History of Music. New York, Prentice-Hall, 1948. (xiv, 400 pp.) 22 x 14 cm.
Schumann, Robert. On Music and Musicians. Edited by Conrad Wolff. Translated by Paul Rosenfeld. New York, Pantheon Books, 1946. (274 pp.) 23 x 15 cm.
Spence, Horace. Praises With Understanding. A Practical Handbook for Ordinands & the Clergy. Addington Place, Croydon, Surrey, 1959. (vi, 112 pp.) 21 cm.
Sulzer, Johann Georg. Allgemeine Theorie der Schönen Künste in einzeln, nach alphabetischer Ordnung der Kunstwörter auf einander folgenden, Artikeln abgehandelt, von Johann Georg Sulzer. Leipzig, In der Weidmannschen Buchhandlung, 1792-1799. Selected pages with musical entries. (Xeroxed from the Library of Congress copy.)
Terry, Charles Sanford. John Christian Bach. Humphrey Milford 1929. London, Oxford University Press, 1929. 373 pp. 22 x 15 cm.
Terry, Sir Richard R. The Music of the Roman Rite. A Manual for Choirmasters in English speaking countries. London, Burns, Oates & Washbourne Ltd., 1931. (293 pp.) 22 x 14 cm.
Tovey, Donald Francis. The Forms of Music. Preface by Hubert J. Foss. Meridian Books, Cleveland & New York, The World Publishing Co., 1956. (250 pp.) 18 cm.
Valdrighi, Luigi-Francesco. NomocheliurgografXa antica e moderna: ossia, Elenco di fabbricatori di strumenti armonici con note esplicative e documenti estratti dall' archivio di Stato in Modena. Bologna, Forni, 1967. (xiii, 327, 43, 66 pp. illus.) 24 1/2 cm. (Bibliotheca musica Bononiensis, Sezione 1, N. 3) Reproduction of the Modena 1884 ed.
Vale, Walter S. Plainsong, an Outline of its Theory and Interpretation with certain references to its use in the Church of England. London, The Faith Press, 1953. (92 pp.) 18 cm.
Vannes, René. Dictionnaire universel des luthiers. Préf. de Giovanni Iviglia, avertissement de Ernest Closson. Historique de 1'Entente internationale des maîtres luthiers et archetiers d'art de Emile Français. 2 éd., rev. et augm. Bruxelles, Les Amis de la musique, 1951-1959. (408 pp., facsim.) 29 cm.
Vaughan Williams, Ralph. The Making of Music. (This volume contains the substance of four lectures given at Cornell University in 1954.) Copyright 1955 by Cornell University. Printed in the U.S. by Vail Ballou Press, Inc. Binghamton, New York. (61 pp.) 22 cm.