Conservatory of Music

Mr. Metz previously taught keyboard proficiency at the University of British Columbia and music analysis and musicianship at Indiana University. He currently teaches harmony, solfège, and form and analysis. His dissertation work focuses on issues of pacing and temporality in the Adagio genre of Brahms. Other research interests include the partimento tradition, seventeenth- and eighteenth-century keyboard improvisation as well as stylistic composition. He recently presented some of his work at the Midwest Graduate Music Consortium at Northwestern University.